All Things Japanese

Japanese Novelist

The overwhelming popularity of Murakami Haruki’s novels in translation has transformed the image of Japanese literature around the world. How will the country’s writing continue to be received on the global stage?

Murakami Haruki’s first appearance in the New Yorker came with the English translation of his short story “TV People,” which appeared in the issue for September 10, 1990. The publication of a Japanese writer’s work in a US literary magazine was a groundbreaking moment not only for the career of the author himself but also for Japanese literature in translation—particularly in English. Murakami’s books have since been published in over 50 languages and include a number of global bestsellers, while he has received international awards like the Franz Kafka Prize and the Jerusalem Prize. His combination of critical and commercial success is unique among Japanese writers.

Murakami’s arrival on the scene dramatically transformed the image of Japanese literature in translation. Edward Fowler describes how the 1955 publication of two English editions by US publisher Knopf—Osaragi Jirō’s Homecoming and Tanizaki Jun’ichirō’s Some Prefer Nettles—ushered in a golden age of translation of modern Japanese literature. Focused on a “big three” of Tanizaki, Mishima Yukio, and Kawabata Yasunari, and against a background of renewed interest in Japanese culture in postwar America, the country’s literature became firmly associated with an exotic aesthetic sensibility. Murakami’s works, which are strongly influenced by US writers and blend elements of fantasy into a contemporary Japanese setting, have reshaped the image of Japanese writing for readers in the English-speaking world.

Ahead of Murakami’s English-language debut, he initially worked together with his Japanese publisher, but later chose his own agent and collaborated closely with American editors to fine-tune his fiction for English-speaking (especially North American) readers. Irmela Hijiya-Kirschnereit has also noted that his writing in works like After Dark appears to have future translation in mind through such aspects as careful explanations of details that would be common knowledge to Japanese readers. This use of what she calls “pretranslation” shows how Murakami has set a new template for the age of translated literature.


Weird and Wonderful Japanese Cars

Post-war Japan was a place that welcomed technology with open arms and often fostered a penchant for oddball inventions. Inheriting this particular trend was also Japan’s motoring industry which produced some seriously quirky cars ranging from tiny ‘Kei’ cars, to a series of sports cars that reflected a bygone era.

Take a ride with us on this sushi train as we explore the weird and wonderful rides from the land of the rising sun.

#1 Mazda Cosmo 110-S This sleek and elegant coupe was based on the design of a Triumph Spitfire and appears completely textbook classic coupe to the untrained eye. Where it slaps history in the face however is under the bonnet as this was Mazda’s first Wankel rotary-engined car.

Its significance in motoring history is undeniable as it brought the twin rotary design of engineer Felix Wankel into the mainstream, setting the standard for all future rotary cars in the world. Mazda had only built 1176 between 1967 and 1972 with the car mustering 130hp from its 982cc power plant. It was considered unorthodox at the time, but without it there would be no way for modern high-powered rotaries like the RX-7 to exist.

#2 Autozam AZ-1 This diminutive little two-seater was built by Mazda in the early 90s and called the Autozam AZ-1. Falling into the popular Kei car category (cars that can avoid a certain tax due to their minor emissions and size), the AZ-1 packed a three cylinder, 657cc, turbo engine mounted behind the driver, complete with gull wing doors and weighing in at less than 725kg – making it lighter than a Lotus Elise.

Designed to be a fun handling car, the AZ-1 packs a mighty 64hp with tuners extracting more out of it over the years to make it go faster. The doors look pretty thin too so you’ll likely be maimed in a side-on collision.

#3 Toyota Sera One of the more interesting designs to come out of the Toyota camp in the early 90s was the Sera – a gull-winged Corolla of sorts if you will. Reflecting what was considered cool of the time, the Sera featured a sweeping glass roof that formed the curved doors to give the car a very unique and futuristic look. It even managed to amass a small cult following around the world, selling around 16,000 cars over its 5 year production run.

Performance was typical Toyota fair with a 1.5-litre engine driving the front wheels in fury.

#4 Nissan Figaro An icon in the world of strange Japanese cars is the Nissan Figaro. It looks like it rolled off a 1960s production line but actually hails from 1991 where it saw production for just one year. The demand for the vintage looking Figaro at the time was so high that production had to be doubled and a ballot set up to select the buyers. It’s powered by a 987cc turbo four cylinder to give it some blistering grandad-spec performance.

#5 Dome Zero One of Japan’s first ever supercars that never saw the light of day was the Dome Zero. Dome was the Japanese racing company that designed countless race cars from 1975 for open-wheelers and categories including F1. As Japan’s burgeoning fortunes as an automaker reached its peak in the 70s, the group decided to build their very own Japanese supercar.

In 1978 the Zero was debuted at Geneva motor show, featuring a wedgy Italian shape, swooping canopy that would make Homer Simpson weep and cues that could only be described as Back to the Future before it was even made. Powered by a Datsun inline six, the car offered optimum performance with the power to weight ratio of the Porsches of that era.

#6 Daihatsu Midget II Another in the list of crazy-cool Kei cars is the aptly named Midget II from Daihatsu. This second generation cult car hailed from the 90s and packed a tiny 660 cc engine. It came in either a one seater or two seater and was noted for its unusual design with a spare tyre mounted on the front of the car. We’re not too sure what the load rating on this car is, but we don’t recommend you drive this one onto a construction site to impress the boys.

#7 Subaru 360 Leading the Kei car charge for the people mover category is the Subaru 360 of 1970. Yes you will stand taller than it and yes you will garner a many surprised looks. In a good way of course. Weighing in at just 498kg with a length just shy of 3 metres, the 360 van was designed by Subaru for Japanese work duties. Its mighty two-stroke, two cylinder 360cc engine enables it to hold an amazing payload of 362kg – that’s about 70% of its own weight. It’s also considered one of the world’s cutest vans. 5 star safety rating? Dream on, dweeb.

#8 Honda Vamos The modern Honda Vamos is a rather bland and boxy affair. The original though was an entirely different beast. It shared a similar design to the Midget with its front facing spare tyre which was a trend in the 70s around when this car was released. The open top Kei car also features a sweet removable canvas roof and a 354cc two-cylinder engine for the serious lead footers out there. A perfect companion for beach hoons, you can think of this one as the least practical Jeep ever made.

#9 Mitsuoka Orochi One of Japan’s weirdest and arguably ugliest offerings is the Orochi from Mitsuoka. Ceasing production in 2014, the car’s name is taken from the mythical 8-headed Japanese dragon, hence the reptilian-like body lines, googly headlights and intake holes. Mitsuoka have categorised it as a “Fashion-Super Car” and adds that “Orochi is the car to ride to gather attention from everyone”. We definitely agree with the latter.

Performance is derived from a Toyota Camry 3.3-litre V6 in a mid-ship layout driving the rear wheels. International reception has been lukewarm at best with Jalopnik voting it the world’s ugliest car.

#10 Isuzu VehiCross Yes, the truck manufacturer Isuzu once tried to build a sporty off-roader and the VehiCross was the rather stunning result. With the fluid lines that are rarely found on 4WDs nowadays let alone ten years ago, the VehiCross became available on Japanese shores in 1997 and was powered by a 3.5L V6 with full time all-wheel-drive and Torque On Demand (TOD).

It was not to be though, with pundits in the industry who praised the vehicle’s bold design and superb road holding ability adding that its eventual demise came from low production, the fact that consumers were oblivious to what the car could do, and the absence of a proper manual transmission. Sad face.


Japanese Drumming Sacramento

Imagine being surrounded by a thunderous rhythm as you watch drummers united in choreographed movement. Imagine being drawn by the energy and spiritually moved by the sheer physical and emotional exertion of the artists as their passionate performance unfolds. Imagine how such a collective effort could reach and influence an audience of any age and cultural background.

Sacramento Taiko Dan is the premiere Japanese drumming ensemble in the greater Sacramento region. Founded in 1989, we are a non-profit, 501(c)(3) organization. Our performers include community members and an international touring performance team. The combination of renowned drummers and outstanding drums enables us to provide audiences with world-class entertainment.

WE SEEK TO:

Promote cultural awareness and diversity Continue the traditional styles while developing new forms Educate new and existing students from diverse backgrounds Provide top level performances in a wide variety of venues Sacramento Taiko Dan tours nationally and internationally, with annual appearances at the California State Fair, San Francisco Cherry Blossom Festival, Sacramento Pacific Rim Festival, International Taiko Festival, and at UC Berkeley�s Zellerbach Hall. We have collaborated with several artists and arts organizations including the Sacramento Ballet, Sacramento Symphony, Camellia Symphony and poet Julia Conner.